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Pitchfork 's David Drake praised "the chemistry of Lloyd with producer Polow da Don", writing that "his work is primarily devoted to underlining Lloyd's vocals for maximum impact." Drake commented that the album "takes a major step toward streamlining his sound, pushing Lloyd's voice to the center and making a bid for a higher level of recognition in the R&B world," and elaborated on its musical significance, stating:Ī distinctive talent, Lloyd often let his vocals dance around the periphery of a song, giving his best tracks a spacey, removed quality. Glenn Gamboa of Newsday called it "ambitious" and commended Lloyd as "a bold thinker and a skillful singer". Club 's Evan Rytlewski complimented Polow da Don's material for Lloyd and wrote that the album "doubles down on his amorous enthusiasm, pushing it to such delirious extremes that these songs feel risky and uncharted even as they play to his most obvious strengths". Maura Johnston of The Village Voice described the album as "utterly replayable" and commented that it "veers back and forth between unabashed romanticism, club-borne lust, and the brooding, yet unleashed love songs that helped him initially break onto the scene". AllMusic editor Andy Kellman called it "clearly the singer’s best album yet his most unified set of songs", adding that "Lloyd has pretty much perfected the art of transcending the modern- R&B Lothario cliché". At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 77, based on 12 reviews, which indicates "generally favorable reviews". King of Hearts received positive reviews from most music critics.
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Critical response Professional ratings Review scores As of July 20, 2011, King of Hearts has sold 35,600 copies in the US, according to Nielsen SoundScan. It is Lloyd's third top-10 album in the US. The album debuted at number 10 on the US Billboard 200 chart, with first-week sales of 26,000 copies in the United States. A music video for the song was still released on December 19. "Be the One", which features Trey Songz and Young Jeezy, was originally planned to be the third single. " Dedication To My Ex (Miss That)", which features Andre 3000 and Lil Wayne, was released as the third single on August 9. The second single " Cupid" peaked at number 11 on the Hot R&B/Hip-Hop Songs. It peaked at number 64 on the US Billboard Hot 100 and at number seven on the US Hot R&B/Hip-Hop Songs chart, becoming Lloyd's fourth top-ten hit on the chart. The album's lead single, " Lay It Down", was released on August 31, 2010. In promotion of the album, Lloyd will accompany rapper Lil Wayne on the second leg of his I Am Music II tour during the summer. It was released on July 5, 2011, in the United Kingdom, and on July 6 in the United States. The album was released by Zone 4, with distribution through Interscope Records. Lloyd has said of the album's music, "We've created something in the likes of what Justin Timberlake and Timbaland were able to create and Usher and Jermaine Dupri were able to create ".
I usually have seven songs on the radio at the same time, but I shut down shop to focus on his album". So I stopped doing a lot of work with a lot of other artists.
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In an interview for Billboard, he said of his role on the album, "I promised my full dedication. Polow da Don served as the album's executive producer and produced or co-produced all of its songs, managing sessions with background singers and horn and string sections.
Recording sessions for the album took place at Doppler Studios in Atlanta, Georgia, No Excuses Studio in Santa Monica, California, Record Plant in Hollywood, California, and Setai Recording Studios in Miami, Florida. He previously worked with Lloyd on the latter's 2008 album Lessons in Love. In 2010, Lloyd was featured on the Young Money hit single " BedRock" and signed to Zone 4, the label of producer and longtime friend Polow da Don.
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He subsequently released an eight-track EP, Like Me: The Young Goldie EP, as a free download on the Internet. Records, Lloyd left the record label in 2009 due to creative differences. After releasing three albums for The Inc.
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